Also, there are limits to the Lightning Bolt port that can only be overcome with Bus Speeds. It may be that Apple is banking on the expanded use of the Lightning Bolt port, but most professionals, self included, don’t need more cables and junk lying around. It just worked and anything designed for it just worked. We all bought Macs because they were the best functional machine I never had to think about. Apple’s Mac Pro looks pretty, but professionals don’t buy machines to look pretty. Examples are the PROAVIO, Sonnet and Promise desktop and rackmount solutions. External storage: SAS Drive array cards to connect to MiniSAS and SAS Desktop Video Drive Arrays for HD and 4K Video editing.Rackmountable: If I can’t put the workstation in a server half-rack, which most studios and live production crews use, then the workstation will need a custom installation in a space where space is a premium and there are already standards for such things.(It should be noted that most all Radio Stations run on RME interfaces.) audio interfaces such as Avid Pro Tools, RME, MOTU, etc.out-board video graphics units for multiple steams of real-time video effects from companies like BlackMagic Design, Avid, Matrox, AJA, Grass Valley, BlueFish444, MOTU, etc.
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Upgradability: If I can’t put the video or audio cards that I already have in it or can’t install newer versions of the same cards the the system has no use to me.You know… the target market for that machine? Today another person noted what I’ve been mulling over for some time: the interesting design is missing two major features that will keep it out of the hands of a lot of video, audio and graphics professionals. Mac Pro, Mac keyboard, Mac cup, Mac iPod Classic, Mac iPod Nano, Mac iPod Shuffle, (Photo credit: Wikipedia)Īpple gave us another look at the 2013 Mac Pro this week at the update release announcement for the iPad line.
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